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They offer enough working distance to capture subjects without distortion, along with a wide aperture to blur backgrounds. Primes with longer focal lengths are often thought of as speciality tools for portraits. The 35mm angle sits in between-if a 24mm is too broad and a 50mm too narrow, a 35mm may be the standard lens for you.

If you're a fan of a wider view, a 24mm lens does a good job as a standard, while 50mm lenses appeal to photographers who prefer a narrower view for more easily obtainable subject isolation. Some views are more versatile than others. You'll want to pick one that captures an angle of view that you're comfortable using.

Prime lenses-the type that don't zoom-come in all varieties of focal lengths, f-stops, and speciality designs.

But you don't have to break the bank-the Sigma 500mm F4 has a more down-to-earth price, and Nikon's featherweight 500mm F5.6E is a one-of-a-kind optic that's only available for this system. The highest-end options are priced too high for most photographers-the Nikkor 600mm F4 is one example, priced around $13,000. If you don't mind going third party, Sigma and Tamron both sell 150-600mm zooms, and there are good 100-400mm options for photographers who want a telephoto lens, but one that's not bulky. It costs less than a 70-200mm and nets a lot more zoom power. If you're shopping for a longer lens, you can look to glass like the Nikon 200-500mm F5.6E zoom. You can extend the focal length of a 70-200mm F2.8 using teleconverters for a bit more versatility, but doing so drops the effective f-stop. Photographers specializing in wildlife will want more zoom power. If you want to spend less, the Sigma 70-200mm F2.8 Sports is our favorite affordable take on the design. Nikon's latest is the 70-200mm F2.8E and delivers exceptional performance. A narrow angle of view makes it possible to snap shots of skittish targets, like wildlife, and get a photo of the game-winning goal from the sidelines.Ī 70-200mm F2.8 is the most popular option for pros. These lenses are useful for capturing team sports, wildlife, and portraits. You'll reach for a telephoto lens to bring distant subjects into close view. The D780 and D850 are Nikon's latest, and best, SLRs. And while many have moved to electronic viewfinder mirrorless models, including Nikon's Z system, optical viewfinders still have their proponents.

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The full-frame format is more popular with pro photographers and serious hobbyists. You can use full-frame lenses with these models, too. We've broken out the lenses made for the APS-C format in a separate section. The 18-by-24mm format makes for the smaller, lighter cameras and lenses consumers prefer. The APS-C format is about half the size of an analog film frame. Surface area is the differentiating factor. Lower-cost models use the APS-C format, which Nikon calls DX, while more costly cameras use full-frame chips, FX. Nikon uses two sensor formats for its SLR cameras. If you own a Z camera, we've put a separate story together to help you find the right Z lens. You can pair many of them with a Nikon Z mirrorless too, using the Nikon FTZ adapter. This buying guide covers lenses made for Nikon SLRs. That makes it a little intimidating, as you'll sometimes have to choose between lenses with similar focal lengths, or try to decide between spending a bit more on a Nikkor lens, or saving a few dollars by going with one from Sigma or Tamron. When shopping for new glass today, you have access to hundreds of options from Nikon and third parties.

And it's been around for decades, so there's no shortage of compatible lenses. The Nikon SLR system is beloved by enthusiasts and serves as the workhorse for many professionals. Since 1982, PCMag has tested and rated thousands of products to help you make better buying decisions. ( See how we test everything we review (Opens in a new window).)

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